Epidural


Dear Renko,  They tell me that my surgery went well.  Why did I need surgery?  There are three tubes attached the crook of my arm. One tethers me to a silver-coloured device on wheels. The display on it says "3.0." Do you know what that means, Renko? None of the nurses will explain it to me. They say that it's important and that I should leave my bandages alone.  Why do I need bandages?  I'm sorry to waste our summer together by languishing here instead. I hope to get out and see you soon.

Dear Renko,  There's a cat crawling on the ceiling.   I know what you would say. That there's no cat. That I fell asleep and slipped across a border without thinking. That I'm just tired because I haven't been able to sleep since I came here.  That last part's true, by the by: the pills they give me in the evening make me drowsy only for a moment, and I end up staring at the ceiling for the entire night.  But I promise you, the cat is real. It appears each time a nurse enters a room and slips back out with them. It's black and moves like a shadow.  I can't tell anyone else about it. They'd just call me insane. You might call me that too, Renko, but you'd do it with a smile on your face and keep standing by my side. You'd give me a chance to prove it.  I hope to see you soon.

Dear Renko,  I still don't know if I'll ever be able to send these letters to you. I keep writing all the same. It makes it easier to pass the time.  Do you remember that antique shop we visited on the coast last summer? The one where entering the premises felt like stepping straight into the 20th century? They had the most beautiful calligraphy brushes I'd ever seen, but right now, I'm instead thinking back on the set of stationery displayed next to them. The sheets and envelopes were embossed with silvery flowers and tied together with a purple ribbon that matched the pen that came with them. I nearly bought it, just because of how beautiful it was, but then I realised there was no-one I would write letters to, and if all I wanted was some beauty in my life, I already had the memory of the set etched into my mind.  I'm not surprised if you don't remember it. You were more interested in the antique computers they had on display. But that's the set I'd like to use to write to you now.  I miss you.

Dear Renko,  I still haven't seen the person in the bed next to mine.  There are two beds in my room. Mine's to the right, next to the door leading to a corridor outside. The corridor itself is what you'd expect from a hospital: long with a dozen identical doors, the walls half pristine white and half dull green, with a single painting of Mt. Fuji to break the monotony three doors from mine.    I'm sorry I included that detail. I doubt it's very interesting. But I have to explain everything exactly as it is. Both so that you can get a clear picture of how this hospital operates, and so that I myself can remember it.  The corridor is always abandoned when I enter. There's a brightly lit foyer somewhere far ahead. I've never walked that far. It hurts to move, and I have to pause for breath on my way to the bathroom, which is five doors away from my room. That's what makes the painting so important. One day I hope to be able to make it along the corridor without having to stop by it.  But it will have to wait. It's like there's a weight on me, one I can't see, which only appears and clings to me when I sit up or move. Like a black cat.  I'm sorry, Renko. I keep getting distracted for some reason. I meant to tell you about my strange neighbour.   The curtains surrounding the other bed are drawn shut at all times. There must be someone there, as the nurses make regular visits within the curtains. I hear them asking questions, spoken so quietly I can't catch a single word. I never hear any answers at all.  I don't think I've ever seen them bring the other patient food, either.  I've tried peeking inside while the nurses shift the curtains, to no success. The opening is at the bed's foot, and they slip inside so swiftly I can't even sit up in time. I would have to stay up and alert in advance, but my current lack of strength doesn't allow for it. For now, I will just have to live with the mystery.

Dear Renko,  The borders are multiplying like hair fractures.

Dear Renko,  Last night, I saw an animal in the corridor. Not a cat: its shadow was all too big, and its movements were not feline. It was gone before I could even blink.  This is probably going to sound strange, especially since it was pitch black and the creature moved like a mammal, low and swift. But it left me with the impression of a peacock.  I think I'm losing my mind, Renko.  I couldn't bring myself to speak to the night nurse, but I tried telling the nurse who brought me my medicine. Only, I couldn't get out a single word. What will happen if they think I'm insane?  The display on the silver machine now says "3.5"

Renko,  I don't think this is a real hospital. Real hospitals don't have doors that cannot be opened. Real hospitals don't have windows that look transparent but show only darkness regardless of the time of day. Real hospitals...  I should tell you what happened. I felt like I was suffocating, lying endlessly under yellowish lights like I was a packed vegetable in a supermarket. So I took the machine and walked to the wall opposite from where my head had rested. I meant to go into the corridor. Instead, I walked to the window.  Past the curtained section there's room for a third bed, but they must have wheeled it out before I arrived. Now there is only an empty corner. And a pair of purple curtains, identical to those heavy curtains sequestering the other bed, covering the window.  I was already winded by then — why, I don't understand; I can't remove the bandages to see if I actually have wounds to explain it, and when the nurses change them they tell me to keep my eyes to the ceiling — so I leaned into the wall and caught my breath. After I had rallied myself, I pulled the curtains aside.  Behind them was another wall. The painting of Mount Fuji from the corridor greeted me with its impossibly blue skies.  Now that I have put this all into words, I think I might have been dreaming after all. Still, I haven't dared to check whether there is a window now.  I hope you are well.

Renko,  I think I may be lost.  No-one speaks to me except to ask me how I am. They ignore my answers. When I ask the nurses what's wrong with me, they tell me not to worry about it. When I ask them when I can leave, they smile and leave themselves.  I see the borders everywhere both with my eyes open and my eyes closed, growing everywhere like rhizome and splintering the universe into fragments. If I could sleep just for a moment, maybe I wouldn't find them so frightening. But I can't.  They're all over my skin too, Renko. I can feel them when I run my hand over my arm, breaking me apart.   I won't ask you for help. I don't think there's anything anyone can do now, especially since I don't even know where I am. But I wish I could at least thank you in person for all our years together. Thank you for staying by my side. Thank you for your brashness and for helping me to come out of my shell. Thank you for being you.  And I want you to know, before I disappear into the cracks,

 

 

 

 

 

 

Dear Renko...

Maribel didn't quite wake up, as she hadn't exactly been sleeping. She simply became more sharply aware of her dark surroundings. Of the lumpiness and scratchiness of the blanket drawn up to her chin. Of the awkward way the multi-pronged tube attached to her arm dug into her flesh where she had leaned it against the bed's metal frame. Of how the air she swallowed tasted like static.

She remained still, doing her best to ignore the static gathering at the borders like dust around crevices. During night, the already sluggish world of the hospital became a void of time.

And it was while she lay in that void, squinting to discern the hands of the clock above the door, that she felt something come loose within her skull.

The digital numbers of the contraption ensnaring her blared red. 3.14. She hadn't known the machine could show anything but increments of fifty. 

Slowly, desperate to maintain peace, she sat up. 

The floor felt cold even after she found her slippers. Not as cold as the machine, which radiated chill. She wrapped her fingers around it regardless, grimacing at the stabs of burning ice. Distantly, she wondered if the nurses would later find her with frostbites.

She shuffled gingerly forward. The wheels of the machine squeaked, but her footsteps made no sound.

Someone was listening. But really, did it matter? Someone was always listening in this white-walled prison.

She made it to the foot of her bed. She peered into the dark corners of the room. She stared at the top of the cupboards mounted to the wall to her right. 

She couldn't actually tell if there was a cat somewhere in the room. Cats had reflective eyes, didn't they? But perhaps shadow cats did not.

She shuffled ahead regardless. You can watch, cat. I'm not committing any crimes.

Under normal circumstances, it would have taken her five seconds to get where she wanted to be. Even hooked to her metal shadow and having to dance around the pole to keep the tubes straight, it should only have taken fifteen. Yet it felt like another night entirely by the time she finally stood at the foot of the other bed in the room, catching her breath and clinging to the pole like it was the only thing keeping her from drowning.

The curtains looked impossibly heavy to her half-blind eyes. The ones which had been drawn around Maribel's bed for her early check-ups had been thin and white. These were rich and thick. Stage curtains.

She reached for the nearest edge. She steadied herself against the pole as her hands began to tremble.

It was silly. What was she expecting? A monster? She had already seen her share of youkai. Whatever was behind the curtain was unlikely to devour her now when it had had so many opportunities to do so over the past... 

Past... weeks? Months? Past...

Past.

The curtain was velvety smooth under her fingertips. She grasped on. She took a deep breath. What would Renko do under these circumstances? Renko would have torn the tubes connected to her arm and walked right out of the building ages ago, shortness of breath or no, bleeding or not. But here and now, Renko would have torn the curtain aside, with a matter-of-fact comment already prepared on her lips.

Thinking of Renko's confident smile, Maribel braced herself and pulled the curtain aside.

On the other side stood a metal bed identical to her own. It was empty.

Confused relief washed over Maribel, leaving her legs weak. She let go and clutched onto the machine with both hands.

And there was light.

Maribel could only stare as the room lit up in a soft firey glow that touched every surface but the curtain. It wasn't light from the night sky. It was decidedly not the pale light from the light strips attached to the ceiling. It was cousin to the moonlight she had felt glowing on her skin on the Torifune. But different. Wholly different.

This time, there was definitely something watching her. She turned around.

Nothing.

Except for the silhouettes.

There was her own shadow, of course. Only it didn't look right. It was too tall, for one. The silhouette's hair was twice longer than Maribel's had ever been, and it wore a bulky dress antithetical to the hospital robes.

Maribel tightened her grip around the metal. The shadow held onto something as well, but it wasn't the machine. It was...

Maribel frowned.

A lantern?

And there were the other figures. A cat — the cat, she knew at once, the very one she had sensed lurking just beyond her vision — sitting calmly to the first shadow's left. The light had distorted its shape, leaving it looking like it had two tails. But no distortion could explain why the shadow to the first shadow's right had nine tails, symmetrical and rising high like the erected train of a peacock. 

And there were eyes. Lidless narrow eyes that opened and closed like the wings of a butterfly, within and without the shadows, observing, calculating, waiting...

As she backed away and stumbled, her calf striking against the cold metal of the bed behind her, another eye opened in the face of the silhouette she had taken for hers. It wilted, but not before getting a good look at her. 

Something else opened in its stead. A mouth. A regular mouth, placed where it ought to have been on the face of the silhouette. Only, it shouldn't have been there, it shouldn't have been visible, Maribel was not a cardboard cutout, none of this made sense, why was it smiling, why was it smiling?

But smile it did. A bright, narrow smile, one full of invisible teeth...

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Dearest Renko,  I'm finally out of IV therapy! It feels strange no longer having to drag the infusion pump along everywhere I go. My arm itches as if it is nostalgic for the cannula. It feels strange, of course — everything hurts a bit more without the intravenous painkillers — but it's also wonderful.  I still need to take enoxaparin sodium for another week to avoid blood clots. A nurse showed me how to inject myself today so that I can do it at home. They're getting me a prescription for both it and the painkillers for tomorrow.  That's right, I'm going home! The doctor said that if everything still looks fine in the morning, I can be discharged first thing tomorrow.  Do you want to go on a picnic this Sunday? I'm afraid you'll have to carry the basket since I'm not allowed to lift anything heavier than a kettle yet, but I think you would enjoy it anyway.  I miss you. I know it's only been three days since I last saw you, but somehow it feels like a lifetime has passed.  I will see you soon.  With love, Maribel



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